girls cant climb ladders/girls cant pour beer, girls cant wash windows/girls cant steam milk by Rebecca Casalino; In Real Life by Laura Ohio; Baracdi Time Machine by Sarah Boo; A Web of Flax Turns into a Chimera by Andrew Finlay-Stewart; <no title> by Kristi Chen; APT: strategies for a future w/o end by Kevin Brophy
Economy of Means by Emergensies Collective [Yang Chen, Simone Northey, Adrienne Scott]; Digital Landfill (Expanding) by Lingxiang Wu; Antechamber by Benjamin Chang; <no title> by Tee Kundu; Slow Town Calendar Adventure by Miles Forrester; Real Dingbat.tff by Kayla Drzewicki; Typing the Oxford Canadian Dictionary of Current English from Z-A Backwards by Nicole Ji Soo Kim
Variations of an Uncertain History by Luke Maddaford; The Dog-Men Explain Your Choice in the Mountain King’s Garden by Kitt Peacock; Mirroring Reflection by Marina FAW; Crying - Work in Progress by Kassandra Walters; In Want of Something Already Here by Christie Shen; Secret Visibility by Daura Campos.
From left to right: We Too Shall Become Grass by Tristan Sauer; Heber Down Conservation Area, 2020 by Angela Glanzmann; Does Alexa Dream of Electric Sheep? by Evelyn Austin; There is a Way to Solve a Maze by Touch, by Galen Macdonald; Interobjects by Louis Mangialardi.
Roundtable Residency: Remote Possibility
November 15, 2021- January 15, 2022
Featuring artists: Evelyn Austin, Kevin Brophy, Kristi Chen, G. Coates + S. Eyre, Emergensies Collective, Kayla Drzewicki, Andrew Finlay Stewart, Angela Glanzmann, Nicole Ji Soo Kim, Tee Kundu, Luke Maddaford, Philip Leonard Ocampo, Laura Ohio, Kitt Peacock; Sarah Boo, Daura Campos, Rebecca Casalino, Benjamin Chang, Marina FAW, Miles Forrester, Galen Macdonald, Louie Mangialardi, Tristan Sauer, Christie Shen, Kassandra Walters, Lingxiang Wu.
Early in the pandemic Roundtable’s original home, The Dragon Academy, was forced to close it’s doors. Left without a physical space, we hastily pivoted into an entirely online residency program. Since then we’ve hosted two cohorts of Residents, one in 2020 and one in 2021; the first two groups of artists in our organization’s history not to be able to exhibit their work in person. With the generous offer of space from Whippersnapper, we decided to make up for this, while also taking a moment to reflect on the process of making work and participating in a residency during a global pandemic.
Remote Possibility presents the work of Roundtable’s 2020 and 2021 cohorts, viewable in person for the very first time.